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Overall Trauma takes us to an updated version of I Prevail. The first is “ Every Time You Leave” featuring Delaney Jane and the second is the last track on the album “ I Don’t Belong Here.” Both of these songs are definitely tunes that you will be turning the volume up to and singing along. I Prevail gained a major following with some of their softer rock ballads like “ Alone” and “ My Heart I Surrender,” and with Trauma we get two of new awesome ballads. While I Prevail are trying to expand their musicianship, they still stay true to their roots by not overwhelming you with the electronics you can still tell there are heavy instrumentals in each track. This is seen heavily throughout Trauma and is on par with the trend in rock music today to try and appeal to a wider variety of fans. They experiment with different genres by incorporating bits of electronic, hip-hop, and alternative elements into this song. In “ Paranoid,” we get a very different track which shows us a possible direction the band could evolve into. They also produced one of their heaviest songs to date on this record with “ Gasoline,” a tune that showcases Eric’s screaming abilities.
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This song is a clear indication that I Prevail still know how to make the jams they’re known for. This track gives us everything that we know the band is great at: the back and forth between Brian Burkheiser’s clean, smooth vocals and Eric Vanlerberghe’s harsher tones, a melodic chorus, and heavy breakdowns. The first track of the album is “ Bow Down,” and was the first single released. This highly anticipated record offers fans a look at what their genre has to offer in the future, while also giving us the classic I Prevail that we fans have come to love. Original article by Denby Gardiner, 303 Magazine, August 28, 2017.I Prevail recently released their newest album Trauma, which is the band’s first album in three years.
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The challenge was accepted, and the band pushed on for a few more tracks, introduced the full band and then Davey-Wraight threw his drum sticks into the crowd, impressively reaching row 21.”ĭavey-Wraight, who is based in Melbourne, was born in 1984. “As the set felt it might be coming to a close, Davey-Wraight announced that instead of going backstage and returning for an encore, the band would consider just playing through if the crowd made enough noise. Hundreds of tees that had the simple yet bold title of enforcement could be seen all over the packed house. “Shut the Fuck up and Dance not only received roars from the crowd and instant reactions from the bodies in the amphitheatre, but was the theme of easily the most common piece of merchandise in the building. “‘Who likes to shut the fuck up and dance?’ asked Davey-Wraight, in reference to one of his most popular tracks before it busted out into the airwaves. The vibe of the audience shifted from swaying along politely to stomping the ground and flailing arms perforating the wild light show. Usually a dubstep golden-boy, playing with The Opiuo Band offers a much different experience to Opiuo’s sound, especially due to the sultry vocalist. “The sky was grey, which matched the smokey air as Opiuo dropped the first of his heavy beats. New Zealander Oscar Davey-Wraight, aka Opiuo, and his band recently played at Colorado’s Red Rocks Park and Amphitheatre.Īccording to Denver-based online lifestyle site 303 Magazine, the group’s formation “was a bit more dramatic than the previous,” with Opiuo “front and centre along with his drum machine and keyboards.